February 10, 2021

Text And Context

Filed under: awesome,documentation,future,interfaces,lunacy,vendetta,weird,work — mhoye @ 4:02 pm


This image is a reference to the four-square Drake template – originally Drake holding up a hand and turning away from something disapprovingly in the top half, while pointing favorably to something else in the lower half – featuring Xzibit rather than Drake, himself meme-famous for “yo dawg we heard you like cars, so we put a car in your car so you can drive while you drive”, to whose recursive nature this image is of course an homage. In the upper left panel, Xzibit is looking away disappointedly from the upper right, which contains a painting by Pieter Bruegel the Elder of the biblical Tower Of Babel. In the lower left, Xzibit is now looking favorably towards an image of another deeply nested meme.

This particular meme features the lead singer from Nickelback holding up a picture frame, a still from the video of their song “Photograph”. The “you know I had to do it to ’em” guy is in the distant background. Inside, the frame is cut in four by a two-axis graph, with “authoritarian/libertarian” on the Y axis and “economic-left/economic-right” on the X axis, overlaid with the words “young man, take the breadsticks and run, I said young man, man door hand hook car gun“, a play on both an old bit about bailing out of a bad conversation while stealing breadsticks, the lyrics to The Village People’s “YMCA”, and adding “gun” to the end of some sentence to shock its audience. These lyrics are arranged within those four quadrants in a visual reference to “loss.jpg”, a widely derided four-panel webcomic from 2008.

Taken as a whole the image is an oblique comment on the Biblical “Tower Of Babel” reference, specifically Genesis 11, in which “… the Lord said, Behold, the people is one, and they have all one language; and this they begin to do: and now nothing will be restrained from them, which they have imagined to do. Go to, let us go down, and there confound their language, that they may not understand one another’s speech” and the proliferation of deeply nested and frequently incomprehensible memes as a form of explicitly intra-generational communication.

So, yeah, there’s a lot going on in there.

I asked about using alt-text for captioning images like that in a few different forums the other day, to learn what the right thing is with respect to memes or jokes. If the image is the joke, is it useful (or expected) that the caption is written to try to deliver the joke, rather than be purely descriptive?

On the one hand, I’d expect you want the punchline to land, but I also want the caption to be usable and useful, and I assume that there are cultural assumptions and expectations in this space that I’m unaware of.

As intended, the question I asked wasn’t so much about “giving away” the punchline as it is about ensuring its delivery; either way you have to give away the joke, but does an image description phrased as a joke help, or hinder (or accidentally insult?) its intended audience?

I’m paraphrasing, but a few of the answers all said sort of the same useful and insightful thing: “The tool is the description of the image; the goal is to include people in the conversation. Use the tool to accomplish the goal.”

Which I kind of love.

And in what should not have stopped surprising me ages ago but still but consistently does, I was reminded that accessibility efforts support people far outside their intended audience. In this case, maybe that description makes the joke accessible to people who have perfectly good eyesight but haven’t been neck deep in memetics since they can-hazzed their first cheezeburgers and don’t quite know why this deep-fried, abstract level-nine metareference they’re seeing is hilarious.

March 6, 2020

Brace For Impact

I don’t spend a lot of time in here patting myself on the back, but today you can indulge me.

In the last few weeks it was a ghost town, and that felt like a victory. From a few days after we’d switched it on to Monday, I could count the number of human users on any of our major channels on one hand. By the end, apart from one last hurrah the hour before shutdown, there was nobody there but bots talking to other bots. Everyone – the company, the community, everyone – had already voted with their feet.

About three weeks ago, after spending most of a month shaking out some bugs and getting comfortable in our new space we turned on federation, connecting Mozilla to the rest of the Matrix ecosystem. Last Monday we decommissioned for good, closing the book on a 22-year-long chapter of Mozilla’s history as we started a new one in our new home on Matrix.

I was given this job early last year but the post that earned it, I’m guessing, was from late 2018:

I’ve mentioned before that I think it’s a mistake to think of federation as a feature of distributed systems, rather than as consequence of computational scarcity. But more importantly, I believe that federated infrastructure – that is, a focus on distributed and resilient services – is a poor substitute for an accountable infrastructure that prioritizes a distributed and healthy community. […] That’s the other part of federated systems we don’t talk about much – how much the burden of safety shifts to the individual.

Some inside baseball here, but if you’re wondering: that’s why I pushed back on the idea of federation from the beginning, for all invective that earned me. That’s why I refused to include it as a requirement and held the line on that for the entire process. The fact that on classically-federated systems distributed access and non-accountable administration means that the burden of personal safety falls entirely on the individual. That’s not a unique artifact of federated systems, of course – Slack doesn’t think you should be permitted to protect yourself either, and they’re happy to wave vaguely in the direction of some hypothetical HR department and pretend that keeps their hands clean, as just one example of many – but it’s structurally true of old-school federated systems of all stripes. And bluntly, I refuse to let us end up in a place where asking somebody to participate in the Mozilla project is no different from asking them to walk home at night alone.

And yet here we are, opting into the Fediverse. It’s not because I’ve changed my mind.

One of the strongest selling points of Matrix is the combination of powerful moderation and safety tooling that hosting organizations can operate with robust tools for personal self-defense available in parallel. Critically, these aren’t half-assed tools that have been grafted on as an afterthought; they’re first-class features, robust enough that we can not only deploy them with confidence, but can reasonably be held accountable by our colleagues and community for their use. In short, we can now have safe, accountable infrastructure that complements, rather than comes at the cost, of individual user agency.

That’s not the best thing, though, and I’m here to tell you about my favorite Matrix feature that nobody knows about: Federated auto-updating blocklist sharing.

If you decide you trust somebody else’s decisions, at some other organization – their judgment calls about who is and is not welcome there – those decisions can be immediately and automatically reflected in your own. When a site you trust drops the hammer on some bad actor that ban can be adopted almost immediately by your site and your community as well. You don’t have to have ever seen that person or have whatever got them banned hit you in the eyes. You don’t even need to know they exist. All you need to do is decide you trust that other site judgment and magically someone persona non grata on their site is precisely that grata on yours.

Another way to say that is: among people or communities who trust each other in these decisions, an act of self-defense becomes, seamlessly and invisibly, an act of collective defense. No more everyone needing to fight their own fights alone forever, no more getting isolated and picked off one at a time, weakest first; shields-up means shields-up for everyone. Effective, practical defensive solidarity; it’s the most important new idea I’ve seen in social software in years. Every federated system out should build out their own version, and it’s very clear to me, at least, that is going to be the table stakes of a federated future very soon.

So I feel pretty good about where we’ve ended up, and where we’re going.

In the long term, I see that as the future of Mozilla’s responsibility to the Web; not here merely to protect the Web, not merely to defend your freedom to participate in the Web, but to mount a positive defense of people’s opportunities to participate. And on the other side of that coin, to build accountable tools, systems and communities that promise not only freedom from arbitrary harassment, but even freedom from the possibility of that harassment.

I’ve got a graph here that’s pointing up and to the right, and it’s got nothing to do with scraping fractions of pennies out of rageclicks and misery; just people making a choice to go somewhere better, safer and happier. Maybe, just maybe, we can salvage this whole internet thing. Maybe all is not yet lost, and the future is not yet written.

January 5, 2020

Crossfade Dissonance

Filed under: a/b,awesome,beauty,lunacy,microfiction,music — mhoye @ 8:58 pm

@pamela :

I will never, ever tire of seamlessly transitioning from the end of Mean Girls to the beginning of Hackers with the same song, this was a damn *gift* given to us by the movie industry

@mhoye :

@pamela Has somebody actually crossfaded the video for this?

@pamela :

@mhoye not that I’ve found, but I live in hope…

@kiethzg :

@pamela @mhoye Sounds like a fun little project to start off my weekend with!
@pamela @mhoye I actually got distracted with even sillier things, but! Finally did this. Then watched it on a loop for a bit. Then remembered I should actually upload it somewhere! So here it is:

I really love the idea of jumping from movie to completely unrelated movie through a common song and a smooth soundtrack crossfade. The only rule, really, is that the song you jump into a movie with has to be earlier in the movie than the one you jump out with. Anyone out there got a dataset of movie soundtracks I could use to cobble together an Oracle Of Bacon-like tool for figuring out the forward soundtrack distance between movies?

December 26, 2019

Star Wars 1979

Filed under: academic,analog,awesome,beauty,books,documentation,flickr,weird — mhoye @ 4:01 pm

Star Wars 1979

This is from a children’s Star Wars book printed in 1979, called “The mystery of the rebellious robots”. The story is nothing – spoilers, but the answer is they cheaped out on aftermarket parts and got hacked by Jawas – but I’m going to have to scan the whole thing, because stripped of the story the art is inexplicably great. I’ll come back with the whole thing in a few days.

Intrasective Subversions

I often wonder where we’d be if Google had spent their don’t-be-evil honeymoon actually interviewing people for some sort moral or ethical framework instead of teaching a generation of new hires that the important questions are all about how many piano tuners play ping pong on the moon.

You might have seen the NYTimes article on hypertargeted product placement, one of those new magical ideas that look totally reasonable in an industry where CPU cycles are cheap and principles are expensive.

I just wanted to make sure we all understood that one extremely intentional byproduct of that will breathe new life into the old documnent-canary trick of tailoring sensitive text with unique punctuation or phrasing in particularly quotable passages to identify leakers, and has been purpose-built as a way to precision-target torrent seeders or anyone else who shares media. “We only showed this combination of in-product signal to this specific person, therefore they’re the guilty party” is where this is going, and that’s not an accident.

The remedy, of course, is going to be cooperation. Robust visual diffs, scene hashes and smart muting (be sure to refer to They Live for placeholder inspiration) will be more than enough to fuzz out discoverability for even a moderately-sized community. As it frequently is, the secret ingredient is smart people working together.

In any case, I’m sure that all right thinking people can agree that ads are the right place to put graffiti. So I’m looking forward to all the shows that are turned into hijacked art-project torrents the moment they’re released, and seeing


in the background of the pirated romcoms of 2021.

December 19, 2019

Over The Line


[ This first appeared over on the Mozilla community discourse forums. ]

You can scroll down to the punchline if you like, but I want to start by thanking the Mozilla community, contributors, industry partners and colleagues alike, for the work everyone has put into this. Hundreds of invested people have weighed in on our hard requirements, nice-to-haves and long term goals, and tested our candidates with an eye not just to our immediate technical and community needs but to Mozilla’s mission, our tools as an expression of our values and a vision of a better future. Having so many people show up and give a damn has a rewarding, inspiring experience, and I’m grateful for the trust and patience everyone involved has shown us in helping us get this over the line.

We knew from the beginning that this was going to be a hard process; that it had to be not just transparent but open, not just legitimate but seen to be legitimate, that we had to meet our hard operational requirements while staying true to our values in the process. Today, after almost a year of research, consulting, gathering requirements, testing candidate stacks and distilling everything we’ve learned in the process down to the essentials, I think we’ve accomplished that.

I am delighted and honored to say that we have one candidate that unambiguously meets our institutional and operational needs: we have decided to replace IRC with Riot/Matrix, hosted by Modular.IM.

While all of the candidates proved to be excellent team collaboration and communication tools, Riot/Matrix has distinguished itself as an excellent open community collaboration tool, with robust support for accessibility and community safety that offers more agency and autonomy to the participants, teams and communities that make up Mozilla.

That Matrix gives individual community members effective tools for both reporting violations of Mozilla’s Community Participation Guidelines (“CPG”) and securing their own safety weighed heavily in our decision-making. While all of the candidates offered robust, mature APIs that would meet the needs of our developer, infrastructure and developer productivity teams, Riot/Matrix was the only candidate that included CPG reporting and enforcement tooling as a standard part of their offering, offering individual users the opportunity to raise their own shields on their own terms as well as supporting the general health and safety of the community.

Riot/Matrix was also the preferred choice of our accessibility team. Mozilla is committed to building a company, a community and a web without second class citizens, and from the beginning the accessibility team’s endorsement was a hard requirement for this process.

Speaking personally, it is an enormous relief that we weren’t forced to make “pick-two” sort of choice between community safety, developer support and accessibility, and it is a testament to the hard work the Matrix team has done that we can have all three.

Now that we’ve made our decision and formalized our relationship with the Modular.IM team, we’ll be standing up the new service in January. Soon after that we’ll start migrating tooling and forums over to the new system, and as previously mentioned no later than March of next year, we’ll shut down

Thank you all for your help getting us here; I’m looking forward to seeing you on the new system.

– mhoye

October 23, 2019

The State Of Mozilla, 2019

Filed under: awesome,documentation,future,interfaces,linux,mozilla,vendetta,work — mhoye @ 11:52 am

As I’ve done in previous years, here’s The State Of Mozilla, as observed by me and presented by me to our local Linux user group.

Presentation:[ ]

And Q&A: [ ]

Nothing tectonic in there – I dodged a few questions, because I didn’t want to undercut the work that was leading up to the release of Firefox 70, but mostly harmless stuff.

Can’t be that I’m getting stockier, though. Must be the shirt that’s unflattering. That’s it.


Every now and then, my brain clamps on to obscure trivia like this. It takes so much time. “Because the paper beds of banknote presses in 1860 were 14.5 inches by 16.5 inches, a movie industry cartel set a standard for theater projectors based on silent film, and two kilobytes is two kilobytes” is as far back as I have been able to push this, but let’s get started.

In August of 1861, by order of the U.S. Congress and in order to fund the Union’s ongoing war efforts against the treasonous secessionists of the South, the American Banknote Company started printing what were then called “Demand Notes”, but soon widely known as “greenbacks”.

It’s difficult to research anything about the early days of American currency on Wikipedia these days; that space has been thoroughly colonized by the goldbug/sovcit cranks. You wouldn’t notice it from a casual examination, which is of course the plan; that festering rathole is tucked away down in the references, where articles will fold a seemingly innocuous line somewhere into the middle, tagged with an exceptionally dodgy reference. You’ll learn that “the shift from demand notes to treasury notes meant they could no longer be redeemed for gold coins[1]” – which is strictly true! – but if you chase down that footnote you wind up somewhere with a name like “Lincoln’s Treason – Fiat Currency, Maritime Law And The U.S. Treasury’s Conspiracy To Enslave America”, which I promise I am only barely exaggerating about.

It’s not entirely clear if this is a deliberate exercise in coordinated crank-wank or just years of accumulated flotsam from the usual debate-club dead-enders hanging off the starboard side of the Overton window. There’s plenty of idiots out there that aren’t quite useful enough to work the k-cups at the Heritage Institute, and I guess they’re doing something with their time, but the whole thing has a certain sinister elegance to it that the Randroid crowd can’t usually muster. I’ve got my doubts either way, and I honestly don’t care to dive deep enough into that sewer to settle them. Either way, it’s always good to be reminded that the goldbug/randroid/sovcit crank spectrum shares a common ideological klancestor.

Mercifully that is not what I’m here for. I am here because these first Demand Notes, and the Treasury Notes that came afterwards, were – on average, these were imprecise times – 7-3/8” wide by 3-1/4” tall.

I haven’t been able to precisely answer the “why” of that – I believe, but do not know, that that this is because of the size of the specific dimensions of the presses they were printed on. Despite my best efforts I haven’t been able to find the exact model and specifications of that device. I’ve asked the U.S. Congressional Research Service for some help with this, but between them and the Bureau of Engraving and Printing, we haven’t been able to pin it down. From my last correspondence with them:

Unfortunately, we don’t have any materials in the collection identifying the specific presses and their dimension for early currency production. The best we can say is that the presses used to print currency in the 1860s varied in size and model. These presses went by a number of names, including hand presses, flat-bed presses, and spider presses. They also were capable of printing sheets of paper in various sizes. However, the standard size for printing securities and banknotes appears to have been 14.5 inches by 16.5 inches. We hope this bit of information helps.

… which is unfortunate, but it does give us some clarity. A 16.5″ by 14.5″ printing sheet lets you print eight 7-3/8” by 3-1/4″ sheets to size, with a fraction of an inch on either side for trimming.

The answer to that question starts to matter about twenty years later on the heels of the 1880 American Census. Mandated to be performed once a decade, the United States population had grown some 30% since the previous census, and even with enormous effort the final tabulations weren’t finished until 1888, an unacceptable delay.

One of the 1880 Census’ early employees was a man named Herman Hollerith, a recent graduate of the Columbia School of Mines who’d been invited to join the Census efforts early on by one of his professors. The Census was one of the most important social and professional networking exercises of the day, and Hollerith correctly jumped at the opportunity:

The absence of a permanent institution meant the network of individuals with professional census expertise scattered widely after each census. The invitation offered a young graduate the possibility to get acquainted with various members of the network, which was soon to be dispersed across the country.

As an aside, that invitation letter is one of the most important early documents in the history of computing for lots of reasons, including this one:

The machine in that picture was the third generation of the “Hollerith Tabulator”, notable for the replaceable plugboard that made it reprogrammable. I need to find some time to dig further into this, but that might be the first multipurpose, if not “general purpose” as we’ve come to understand it, electronic computation device. This is another piece of formative tech that emerged from this era, one that led to directly to the removable panels (and ultimately the general componentization) of later computing hardware.

Well before the model 3, though, was the original 1890 Hollerith Census Tabulator that relied on punchcards much like this one.

Hollerith took the inspiration for those punchcards from the “punch photographs” used by some railways at the time to make sure that tickets belonged to the passengers holding them. You can see a description of one patent for them here dating to 1888, but Hollerith relates the story from a few years earlier:

One thing that helped me along in this matter was that some time before I was traveling in the west and I had a ticket with what I think was called a punch photograph. When the ticket was first presented to a conductor he punched out a description of the individual, as light hair, dark eyes, large nose etc. So you see I only made a punch photograph of each person.

Tangentially: this is the birth of computational biometrics. And as you can see from this extract from The Railway News (Vol. XLVIII, No. 1234 , published Aug. 27, 1887) people have been concerned about harassment because of unfair assessment by the authorities from day one:


After experimenting with a variety of card sizes Hollerith decided that to save on production costs he’d use the same boxes the U.S. Treasury was using for the currency of the day: the Demand Note. Punch cards stayed about that shape, punched with devices that looked a lot like this for about 20 years until Thomas Watson Sr. (IBM’s first CEO, from whom the Watson computer gets its name) asked Clair D. Lake and J. Royden Peirce to develop a new, higher data-density card format.

Tragically, this is the part where I need to admit an unfounded assertion. I’ve got data, the pictures line up and numbers work, but I don’t have a citation. I wish I did.

Take a look at “Type Design For Typewriters: Olivetti, written by Maria Ramos Silvia. (You can see a historical talk from her on the history of typefaces here that’s also pretty great.)

Specifically, take a look on page 46 at Mikron Piccolo, Mikron Condensed. The fonts don’t precisely line up – see the different “4”, for example, when comparing it to the typesetting of IBM’s cards – but the size and spacing do. In short: a line of 80 characters, each separated by a space, is the largest round number of digits that the tightest typesetting of the day would allow to be fit on a single 7-3/8” wide card: a 20-point condensed font.

I can’t find a direct citation for this; that’s the only disconnect here. But the spacing all fits, the numbers all work, and I’d bet real money on this: that when Watson gave Lake the task of coming up with a higher information-density punch card, Lake looked around at what they already had on the shelf – a typewriter with the highest-available character density of the day, on cards they could manage with existing and widely-available tooling – and put it all together in 1928. The fact that a square hole – a radical departure from the standard circular punch – was a patentable innovation at the time was just icing on the cake.

The result of that work is something you’ll certainly recognize, the standard IBM punchcard, though of course there’s lot more to it than that. Witness the full glory of the Card Stock Acceptance Procedure, the protocol for measuring folding endurance, air resistance, smoothness and evaluating the ash content, moisture content and pH of the paper, among many other things.

At one point sales of punchcards and related tooling constituted a completely bonkers 30% of IBM’s annual profit margin, so you can understand that IBM had a lot invested in getting that consistently, precisely correct.

At around this time John Logie Baird invented the first “mechanical television”; like punchcards, the first television cameras were hand-cranked devices that relied on something called a Nipkow disk, a mechanical tool for separating images into sequential scan lines, a technique that survives in electronic form to this day. By linearizing the image signal Baird could transmit the image’s brightness levels via a simple radio signal and in 1926 he did just that, replaying that mechanically encoded signal through a CRT and becoming the inventor of broadcast television. He would go on to pioneer colour television – originally called Telechrome, a fantastic name I’m sad we didn’t keep – but that’s a different story.

Baird’s original “Televisor” showed its images on a 7:3 aspect ration vertically oriented cathode ray tube, intended to fit the head and shoulders of a standing person, but that wouldn’t last.

For years previously, silent films had been shot on standard 35MM stock, but the addition of a physical audio track to 35MM film stock didn’t leave enough space left over for the visual area. So – after years of every movie studio having its own preferred aspect ratio, which required its own cameras, projectors, film stock and tools (and and and) – in 1929 the movie industry agreed to settle on the Society of Motion Picture And Television Engineers’ proposed standard of 0.8 inches by 0.6 inches, what became known as the Academy Ratio, or as we better know it today, 4:3.

Between 1932 and 1952, when widescreen for cinemas came into vogue as a differentiator from standard television, just about all the movies made in the world were shot in that aspect ratio, and just about every cathode ray tube made came in that shape, or one that could display it reliably. In 1953 studios started switching to a wider “Cinemascope”, to aggressively differentiate themselves from television, but by then television already had a large, thoroughly entrenched install base, and 4:3 remained the standard for in-home displays – and CRT manufacturers – until widescreen digital television came to market in the 1990s.

As computers moved from teleprinters – like, physical, ink-on-paper line printers – to screens, one byproduct of that standardization was that if you wanted to build a terminal, you either used that aspect ratio or you started making your own custom CRTs, a huge barrier to market entry. You can do that if you’re IBM, and you’re deeply reluctant to if you’re anyone else. So when DEC introduced their VT52 terminal, a successor to the VT50 and earlier VT05 that’s what they shipped, and with only 1Kb of display ram (one kilobyte!) it displayed only twelve rows of widely-spaced text. Math is unforgiving, and 80×12=960; even one more row breaks the bank. The VT52 and its successor the VT100, though, doubled that capacity giving users the opulent luxury of two entire kilobytes of display memory, laid out with a font that fit nicely on that 4:3 screen. The VT100 hit the market in August of 1978, and DEC sold more than six million of them over the product’s lifespan.

You even got an extra whole line to spare! Thanks to the magic of basic arithmetic 80×25 just sneaks under that opulent 2k limit with 48 bytes to spare.

This is another point where direct connections get blurry, because 1976 to 1984 was an incredibly fertile time in the history of computing history. After a brief period where competing terminal standards effectively locked software to the hardware that it shipped on, the VT100 – being the first terminal to market fully supporting the recently codified ANSI standard control and escape sequences – quickly became the de-facto standard, and soon afterwards the de-jure, codified in ANSI-X3.64/ECMA-48. CP/M, soon to be replaced with PC-DOS and then MS-DOS came from this era, with ANSI.SYS being the way DOS programs talked to the display from DOS 2.0 through to beginning of Windows. Then in 1983 the Apple IIe was introduced, the first Apple computer to natively support an 80×24 text display, doubling the 40×24 default of their earlier hardware. The original XTerm, first released in 1984, was also created explicitly for VT100 compatibility.

Fascinatingly, the early versions of the ECMA-48 standard specify that this standard isn’t solely meant for displays, specifying that “examples of devices conforming to this concept are: an alpha-numeric display device, a printer or a microfilm output device.”

A microfilm output device! This exercise dates to a time when microfilm output was a design constraint! I did not anticipate that cold-war spy-novel flavor while I was dredging this out, but it’s there and it’s magnificent.

It also dates to a time that the market was shifting quickly from mainframes and minicomputers to microcomputers – or, as we call them today, “computers” – as reasonably affordable desktop machines that humans might possibly afford and that companies might own a large number of, meaning this is also where the spectre of backcompat starts haunting the industry – This moment in a talk from the Microsoft developers working on the Windows Subsystem for Linux gives you a sense of the scale of that burden even today. In fact, it wasn’t until the fifth edition of ECMA-48 was published in 1991, more than a decade after the VT100 hit the market, that the formal specification for terminal behavior even admitted the possibility (Appendix F) that a terminal could be resized at all, meaning that the existing defaults were effectively graven in stone during what was otherwise one of the most fertile and formative periods in the history of computing.

As a personal aside, my two great frustrations with doing any kind of historical CS research remain the incalculable damage that academic paywalls have done to the historical record, and the relentless insistence this industry has on justifying rather than interrogating the status quo. This is how you end up on Stack Overflow spouting unresearched nonsense about how “4 pixel wide fonts are untidy-looking”. I’ve said this before, and I’ll say it again: whatever we think about ourselves as programmers and these towering logic-engines we’ve erected, we’re a lot more superstitious than we realize, and by telling and retelling these unsourced, inaccurate just-so stories without ever doing the work of finding the real truth, we’re betraying ourselves, our history and our future. But it’s pretty goddamned difficult to convince people that they should actually look things up instead of making up nonsense when actually looking things up, even for a seemingly simple question like this one, can cost somebody on the outside edge of an academic paywall hundreds or thousands of dollars.

So, as is now the usual in these things:

  • There are technical reasons,
  • There are social reasons,
  • It’s complicated, and
  • Open access publication or GTFO.

But if you ever wondered why just about every terminal in the world is eighty characters wide and twenty-five characters tall, there you go.

October 19, 2019


Filed under: awesome,business,toys,weird — mhoye @ 7:43 am

I made a thing and somebody said “I want that on a shirt”. If that was you, here’s your chance.

It’s a great game, incidentally.

September 6, 2019

Forward Motion


This has been a while coming; thank you for your patience. I’m very happy to be able to share the final four candidates for Mozilla’s new community-facing synchronous messaging system.

These candidates were assessed on a variety of axes, most importantly Community Participation Guideline enforcement and accessibility, but also including team requirements from engineering, organizational-values alignment, usability, utility and cost. To close out, I’ll talk about the options we haven’t chosen and why, but for the moment let’s lead with the punchline.

Our candidates are:

We’ve been spoiled for choice here – there were a bunch of good-looking options that didn’t make it to the final four – but these are the choices that generally seem to meet our current institutional needs and organizational goals.

We haven’t stood up a test instance for Slack, on the theory that Mozilla already has a surprising number of volunteer-focused Slack instances running already – Common Voice, Devtools and A-Frame, for example, among many others – but we’re standing up official test instances of each of the other candidates shortly, and they’ll be available for open testing soon.

The trial period for these will last about a month. Once they’re spun up, we’ll be taking feedback in dedicated channels on each of those servers, as well as in #synchronicity on, and we’ll be creating a forum on Mozilla’s community Discourse instance as well. We’ll have the specifics for you at the same time as those servers will be opened up and, of course you can always email me.

I hope that if you’re interested in this stuff you can find some time to try out each of these options and see how well they fit your needs. Our timeline for this transition is:

  1. From September 12th through October 9th, we’ll be running the proof of concept trials and taking feedback.
  2. From October 9th through the 30th, we’re going discuss that feedback, draft a proposed post-IRC plan and muster stakeholder approval.
  3. On December 1st, assuming we can gather that support, we will stand up the new service.
  4. And finally – allowing transition time for support tooling and developers – no later than March 1st 2020, IRC.m.o will be shut down.

In implementation terms, there are a few practical things I’d like to mention:

  • At the end of the trial period, all of these instances will be turned off and all the information in them will be deleted. The only way to win the temporary-permanent game is not to play; they’re all getting decommed and our eventual selection will get stood up properly afterwards.
  • The first-touch experiences here can be a bit rough; we’re learning how these things work at the same time as you’re trying to use them, so the experience might not be seamless. We definitely want to hear about it when setup or connection problems happen to you, but don’t be too surprised if they do.
  • Some of these instances have EULAs you’ll need to click through to get started. Those are there for the test instances, and you shouldn’t expect that in the final products.
  • We’ll be testing out administration and moderation tools during this process, so you can expect to see the occasional bot, or somebody getting bounced arbitrarily. The CPG will be in effect on these test instances, and as always if you see something, say something.
  • You’re welcome to connect with mobile or alternative clients where those are available; we expect results there to be uneven, and we’d be glad for feedback there as well. There will be links in the feedback document we’ll be sending out when the servers are opened up to collections of those clients.
  • Regardless of our choice of public-facing synchronous communications platform, our internal Slack instance will continue to be the “you are inside a Mozilla office” confidential forum. Internal Slack is not going away; that has never been on the table. Whatever the outcome of this process, if you work at Mozilla your manager will still need to be able to find you on Slack, and that is where internal discussions and critical incident management will take place.

… and a few words on some options we didn’t pick and why:

  • Zulip, Gitter.IM and Spectrum.Chat all look like strong candidates, but getting them working behind IAM turned out to be either very difficult or impossible given our resources.
  • Discord’s terms of service, particularly with respect to the rights they assert over participants’ data, are expansive and very grabby, effectively giving them unlimited rights to do anything they want with anything we put into their service. Coupling that with their active hostility towards interoperability and alternative clients has disqualified them as a community platform.
  • Telegram (and a few other mobile-first / chat-first products in that space) looked great for conversations, but not great for work.
  • IRCv3 is just not there yet as a protocol, much less in terms of standardization or having extensive, mature client support.

So here we are. It’s such a relief to be able to finally click send on this post. I’d like to thank everyone on Mozilla’s IT and Open Innovation teams for all the work they’ve done to get us this far, and everyone who’s expressed their support (and sympathy, we got lots of that too) for this process. We’re getting closer.

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