blarg?

August 7, 2019

Ten More Simple Rules

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The Public Library of Science‘s Ten Simple Rules series can be fun reading; they’re introductory papers intended to provide novices or non-domain-experts with a set of quick, evidence-based guidelines for dealing with common problems in and around various fields, and it’s become a pretty popular, accessible format as far as scientific publication goes.

Topic-wise, they’re all over the place: protecting research integrity, creating a data-management plan and taking advantage of Github are right there next to developing good reading habits, organizing an unconference or drawing a scientific comic, and lots of them are kind of great.

I recently had the good fortune to be co-author on one of them that’s right in my wheelhouse and has recently been accepted for publication: Ten Simple Rules for Helping Newcomers Become Contributors to Open Projects. They are, as promised, simple:

  1. Be welcoming.
  2. Help potential contributors evaluate if the project is a good fit.
  3. Make governance explicit.
  4. Keep knowledge up to date and findable.
  5. Have and enforce a code of conduct.
  6. Develop forms of legitimate peripheral participation.
  7. Make it easy for newcomers to get started.
  8. Use opportunities for in-person interaction – with care.
  9. Acknowledge all contributions, and
  10. Follow up on both success and failure.

You should read the whole thing, of course; what we’re proposing are evidence-based practices, and the details matter, but the citations are all there. It’s been a privilege to have been a small part of it, and to have done the work that’s put me in the position to contribute.

April 11, 2019

An Old School Shoutout

Filed under: awesome,beauty,doom,future,microfiction — mhoye @ 8:58 am

Doomsday-Machine

It’s good to revisit the classics now and then.

April 10, 2019

Modern Problems, Etc.

Filed under: analog,awesome,future,interfaces,life,lunacy,weird — mhoye @ 10:51 am

genegraft

March 27, 2019

Defined By Prosodic And Morphological Properties

Filed under: academia,academic,awesome,interfaces,lunacy,science — mhoye @ 5:09 pm

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I am fully invested in these critical advances in memetic linguistics research:

[…] In this paper, we go beyond the aforementioned prosodic restrictions on novel morphology, and discuss gradient segmental preferences. We use morphological compounding to probe English speakers’ intuitions about the phonological goodness of long-distance vowel and consonant identity, or complete harmony. While compounding is a central mechanism for word-building in English, its phonology does not impose categorical vowel or consonant agreement patterns, even though such patterns are attested cross-linguistically. The compound type under investigation is a class of insult we refer to as shitgibbons, taking their name from the most prominent such insult which recently appeared in popular online media (§2). We report the results of three online surveys in which speakers rated novel shitgibbons, which did or did not instantiate long-distance harmonies (§3). With the ratings data established, we follow two lines of inquiry to consider their source: first, we compare shitgibbon harmony preferences with the frequency of segmental harmony in English compounds more generally, and conclude that the lexicon displays both vowel and consonant harmony (§4); second, we attribute the lack of productive consonant harmony in shitgibbons to the attested cross-linguistic harmonies, which we implement as a locality bias in MaxEnt grammar (§5).

You had me at “diddly-infixation”.

January 20, 2019

Super Mario Telemachy

Filed under: a/b,arcade,awesome,beauty,digital,documentation,future,interfaces — mhoye @ 10:29 pm
This way to art.

One thing I love about the Hyrule of Breath of the Wild is how totally unbothered it is by our hero’s presence in it. Cliffs you can’t climb, monsters you have no real shot at beating, characters wandering about who aren’t there as side-quest farmers or undifferentiated foils for your inevitable progress. Even the weather will inconvenience, injure or outright murder you if you walk out into it dressed wrong, and in large ways and small this mattered. I’d seen lighting strikes in the game before – and getting one-shotted by the rain after I missed the memo about not wearing metal out in a storm was startling enough, lemme tell you – but the first time I saw one hit water, saw a handful of stunned fish floating to the surface, that put my jaw on the floor. The rain that made this hill too slippery to climb gave that world the sense of a being a world, one that for all your power and fate and destiny just didn’t revolve around you.

Super Mario Odyssey is the precise, exact opposite of that, and at first I really didn’t get it. I couldn’t get into it.

It’s surprisingly hard to enjoy an entire world carefully and forgivingly tuned to precisely fit your exact capacities at all times, to the point that if you’ve done much platforming in your life there’s no real challenge to navigating Odyssey, much less risk. A “death” that costs you about six of the abundant, constantly replenished gold coins that litter the landscape hardly even counts as a setback – you’re likely to restart next to eight or ten of them! – so my first impressions were that it amounted to a hoarder’s brightly coloured to-do list. I decided to grind through it to see the New Donk City I’d been studiously avoiding spoilers for, hearing only that it was the best and weirdest part of the game, but it was definitely a grind.

But after watching my kids play it, and helping them through the parts they’ve been hung up on, I realized something: Odyssey is a bad single-player game because it’s not a single-player game, at least not a single adult player. It’s a children’s book, a children’s experience; it’s Mario Disneyland. And once I discovered the game I was actually supposed to be playing, the whole experience changed.

With fresh eyes and unskilled hands involved, this sprawling, tedious fan-service buffet becomes an entirely different thing, a chance to show my kids around a game world I grew up with. Even the 2D sidescroller diversions, eye-rollingly retro on their own, become a conversation. Most amazingly, to me at least, the two-player option – one player driving Mario, the other driving his ghost hat companion Cappy – stops looking like a silly gimmick and starts looking like a surprisingly good execution of a difficult idea I’ve wanted for a long time. Odyssey is the only game I’ve ever seen that has cooperative, same-couch multiplayer that’s accessible to people of wildly different skill levels. Another way to say that is, it’s a game I can play with my kids; not versus, not taking turns, but “with” for real, and it’s kind of great.

So, playing Odyssey alone by myself? Sure: unchallenging, rote and if we’re honest enough to admit it, a little sad. But with my kids’ playing it, playing along together? Definitely. Not only good but good fun, maybe even a meaningful experience. Sign me up.

December 13, 2018

Looking Skyward

Filed under: awesome,beauty,documentation,flickr,future,life,science — mhoye @ 12:43 pm

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Space

November 19, 2018

Faint Signal

Filed under: awesome,beauty,digital,documentation,future,interfaces,life,work — mhoye @ 11:34 am

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It’s been a little over a decade since I first saw Clay Shirky lay out his argument about what he called the “cognitive surplus”, but it’s been on my mind recently as I start to see more and more people curtail or sever their investments in always-on social media, and turn their attentions to… something.

Something Else.

I was recently reminded of some reading I did in college, way back in the last century, by a British historian arguing that the critical technology, for the early phase of the industrial revolution, was gin.

The transformation from rural to urban life was so sudden, and so wrenching, that the only thing society could do to manage was to drink itself into a stupor for a generation. The stories from that era are amazing– there were gin pushcarts working their way through the streets of London.

And it wasn’t until society woke up from that collective bender that we actually started to get the institutional structures that we associate with the industrial revolution today. Things like public libraries and museums, increasingly broad education for children, elected leaders–a lot of things we like–didn’t happen until having all of those people together stopped seeming like a crisis and started seeming like an asset.

It wasn’t until people started thinking of this as a vast civic surplus, one they could design for rather than just dissipate, that we started to get what we think of now as an industrial society.

– Clay Shirky, “Gin, Television and the Cognitive Surplus“, 2008.

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I couldn’t figure out what it was at first – people I’d thought were far enough ahead of the curve to bend its arc popping up less often or getting harder to find; I’m not going to say who, of course, because who it is for me won’t be who it is for you. But you feel it too, don’t you? That quiet, empty space that’s left as people start dropping away from hyperconnected. The sense of getting gently reacquainted with loneliness and boredom as you step away from the full-court vanity press and stop synchronizing your panic attacks with the rest of the network. The moment of clarity, maybe, as you wake up from that engagement bender and remember the better parts of your relationship with absence and distance.

How, on a good day, the loneliness set your foot on the path, how the boredom could push you to push yourself.

I was reading the excellent book MARS BY 1980 in bed last night and this term just popped into my head as I was circling sleep. I had to do that thing where you repeat it in your head twenty times so that I’d remember it in the morning. I have no idea what refuture or refuturing really means, except that “refuturing” connects it in my mind with “rewilding.” The sense of creating new immediate futures and repopulating the futures space with something entirely divorced from the previous consensus futures.

Refuture. Refuturing. I don’t know. I wanted to write it down before it went away.

Which I guess is what we do with ideas about the future anyway.

Warren Ellis, August 21, 2018.

Maybe it’s just me. I can’t quite see the shape of it yet, but I can hear it in the distance, like a radio tuned to a distant station; signal in the static, a song I can’t quite hear but I can tell you can dance to. We still have a shot, despite everything; whatever’s next is coming.

I think it’s going to be interesting.

September 13, 2017

Durable Design

Filed under: awesome,digital,documentation,future,interfaces,toys — mhoye @ 10:47 am

Flip

It seems like small thing, but it’s an engineering detail I’ve always had a lot of respect for.

That picture is of a Flip video camera with the lid off, a product from about nine years ago. It was a decent little video camera at a time that phones weren’t up to it, storing a bit over an hour of 720p video with decent sound. The company that made them, Pure Digital Technologies, was bought by Cisco in 2009 for about $590M and shut down less than two years later. Their last product – that ultimately never shipped – could stream video live to the Web, something we wouldn’t really see from a pocket-sized device until Periscope and (now-dead) Meerkat took a run at it five years later.

The thing I wanted to call attention to, though, is the shape of that case. The Flip shipped with a custom rectangular battery that had the usual extra charging smarts in it and you could charge off USB, like all civilized hardware that size. But it also gave you the option of putting in three absolutely standard, available-everywhere AAA batteries instead, after that exotic square thing finally died.

You only get to run the camera about two-thirds as long, sure. But long after they’ve stopped making those custom batteries or supporting the device itself, the fact of the matter is: you can still run it at all. It may not be the best thing around, but it’s also not in a landfill. It still does everything it said it would; my kids can make movies with it and they’re good fun. It didn’t suddenly become junk just because the people who made it aren’t around anymore.

I’ve often wondered what those product meetings looked like at Pure Digital. Who pushed for that one extra feature that might give their product a few extra years of life, when so many market forces were and are pushing against it. What did they see, that convinced them to hold the line on a feature that few people would ever use, or even notice? You see it less and less every day, in software and hardware alike – the idea that longevity matters, that maybe repair is better than replace.

If you’re still out there, whoever made this what it was: I noticed. I think it matters, and I’m grateful. I hope that’s worth something.

June 8, 2017

I’m Walking, Yes Indeed

Filed under: arcade,awesome,digital,interfaces,toys — mhoye @ 10:00 pm

They’re called “walking simulators”, which I guess is a pejorative in some circles, but that certain type of game that’s only a little bit about the conventions of some gaming subgenre – puzzles, platforming, whatever – and mostly about exploration, narrative and atmosphere is one of my favorite things.

Over the last year or two, I suspect mostly thanks to the recent proliferation of free-to-use, high-quality game engines, excellent tutorials and the generally awesome state of consumer hardware, we’re currently in a golden age of this type of game.

One of the underappreciated things that blogging did for writing as a craft was free it from the constraints of the industries around it; you don’t need to fit your article to a wordcount or column-inch slot; you write as much or as little as you think your subject required, and click publish, and that’s OK. It was, and I think still is, generally underappreciated how liberating that has been.

Today the combination of Steam distribution, arbitrary pricing and free-to-use engines has done much the same thing for gaming. Some of the games I’ve listed here are less than half an hour long, others much longer; either way, they’re as long as they need to be, but no more. A stroll through a beautifully-illustrated story doesn’t need to be drawn out, diluted or compressed to fit a market niche precisely anymore, and I thought all of these were a good way to spend however much time they took up.

Plenty of well-deserved superlatives have already been deployed for The Stanley Parable, and it is absolutely worth your time. But two short games by its creators – the free Dr. Langeskov, The Tiger, and The Terribly Cursed Emerald: A Whirlwind Heist and the much longer The Beginner’s Guide are radically different, but both excellent. Dr. Langeskov is brief and polished enough to feel like a good joke; The Beginner’s Guide feels more like exploring the inside of a confession than a game, a unique and interesting experience; I enjoyed them both quite a bit.

Firewatch is, in narrative terms, kind of mechanical – despite its may accolades, you eventually get the sense that you’re turn the handle on the dialogue meat grinder and you know what’s coming out. But it’s still affecting, especially in its quieter moments, and the environment and ambience is unquestionably beautiful. it’s worth playing just to explore. I’d be happy to wander through Firewatch again just to see all the corners of the park I missed the first time around, and there’s a tourist mode in which you can find recordings that explore the production process that I enjoyed quite a bit more than I’d expected.

“Homesick” is very much the opposite of Firewatch, a solitary and mostly monochromatic struggle through environmental and psychological decay, set in a rotting institution in what we eventually learn is an abandoned industrial sacrifice zone. The story unfolds through unexpected puzzles and mechanisms, and ends up being as much a walkthrough of the experience of mental illness as of the environment. Homesick isn’t a difficult game to play, but it’s a difficult game to experience; I’m cautiously recommending it on those terms, and I don’t know of any game I can compare it to.

“Lifeless Planet” is a slow exploration of a marooned FTL expedition to an alien world discovering the abandoned ruins of a fifties-era Soviet settlement. It’s not graphically spectacular, but somehow there is something I found really great about the slow unfolding of it, the pacing and puzzles of this well, if obliquely, told story. I found myself enjoying it far more than I would have expected.

Another space-exploration type game, though (supposedly?) much more sophisticated, Event[0] was generally very well received – Procedurally generated dialog! An AI personality influenced by the player’s actions! – but I played through it and found it… strangely boring? I suspect my gameplay experience was sabotaged by my Canadianness here, because I went into it knowing that the AI would react to your tone and it turns out if you consistently remember your manners the machine does whatever you want. The prime antagonist of the game this ostensibly-secretive-and-maybe-malevolent AI, but if you say please and thank you it turns out to be about as menacing as a golden retriever. Maybe the only reason I found it boring is because I’m boring? Could be, I guess, but I bet there’s a lesson in there somewhere.

The most striking of the bunch, though, the one that’s really stuck with me and that I absolutely recommend, is Everybody’s Gone To The Rapture, essentially an exploration of a small, inexplicably abandoned English village near an observatory in the aftermath of something Iain Banks once referred to as an “Outside-Context Problem”. It is all of interesting, beautiful and relentlessly human, investing you in not just the huge what-just-happened question but the lives and relationships of the people confronting it and trying to live through it. If walking simulators appeal to you – if exploring a story the way you’d explore an open-world game appeals to you – then I don’t want to tell you anything more about it so that you can experience it for yourself.

I’ve played a few other games I’m looking forward to telling you about – some of the best 2D-platformer and Sierra-like games ever made are being made right now – but that’s for another day. In the meantime, if you’ve got some other games that fit in to this genre that you love, I’d love to hear about them.

May 5, 2017

Nerd-Cred Level-Up

Filed under: awesome,flickr,life,lunacy,weird — mhoye @ 9:13 am

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In 2007 I was an extra in an indie zombie movie called “Sunday Morning” that featured Ron Tarrant. Tarrant starred with Mark Slacke in a 2010 short called “The Painting In The House”, who in turn played a role in Cuba Gooding Jr.’s “Sacrifice”. Gooding, of course, played a role in A Few Good Men, as did Kevin Bacon.

Recently, I’ve co-authored a paper with Greg Wilson – “Do Software Developers Understand Open Source Licenses?” – principal authors are Daniel Almeida and Gail Murphy at UBC – that will be presented at ICPC 2017 later this year. Greg Wilson has previously co-authored a paper with Robert Sedgewick, who has co-authored a paper with Andrew Chi-Chih Yao, who has in turn co-authored a paper with Ronald L. Graham.

You can find all of Graham’s many collaborations with Paul Erdős, one of the most prolific mathematicians of the 20th century, on his homepage.

Which is all to say that I now have an Erdős-Bacon number of 9.

I’m unreasonably stoked about that for some reason.

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